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F: What do you base that on?

W: I imagine it fluttered a little when he ran. I'm not sure.

F: No. It's good that you point out what you are sure of and what you are unsure of. So you imagine that there was something fluttering when he ran?

W: Yes.

F: Did you get any other idea about the clothing other than that it was dark?

W: No.

F: Did you get any idea about this person's way of running? Did you have time to react to that?

W: No.

F: Did you have time to see if this person had any headgear or not?

W: Yes, it's so difficult now that you've read about it in the newspapers, I think, to remember what I saw. I want to say now that I have the impression that he had something on his head, yes. But I don't know how much of it is because I've read about it or if it is, I don't know.

F: Does this other person disappear immediately after the second shot is heard? Or does he stand there for a while?

W: Yes, I imagine that he stood there for a while, yes, before he runs. A very short while but still. Yes

F: Do you notice if he runs fast or if he walks with quick steps?

W: No, he runs, I think I remember.

F: Is there anything else you can say about that man? His way of moving or is it natural or was it something you thought about?

W: No, nothing strange about it.

F: Then you tell me that you and your brother are crossing Sveavägen. Where do you cross the street?

W: Yes, it must be now, I don't remember if there is a crosswalk here.

F: Yes, I think there is.


W: It does. Yes, we didn't cross there anyway. Before that.

So you passed Sveavägen just north of its intersection with Tunnelagatan?

W: Yes.

F: And what do you see when you arrive at this place, where this man has collapsed?